It was in New York where Cammell met and lived with the model Deborah Dixon - he was to be with her for ten years and their relationship finished just before the filming of Performance, although she was a costume designer on the film. He had by now rejected painting society portraits and was now concentrating on work that had a Balthusian lolita-inspired influence (ie lots of young naked girls). While this helped him sate his notable sexual appetite (for much of his life he was irresistible to a good deal of the female sex and Dixon was seemingly happy with this and often shared his conquests) his artistic desires, at least in the form of painting, were waning.Deborah Dixon 1964